|
''The Wheat Field'' is a series of oil paintings executed by Vincent van Gogh in Saint-Rémy-de-Provence. All of them depict the view Van Gogh had from the window of his bedroom on the top floor of the asylum: a field enclosed by stone walls just beneath his window and excluded from normal life by the rear wall of the asylum grounds; beyond this enclosure farm land, accompanied by olive groves and vineyards, ran up to the hills at the foot of the mountain range called Les Alpilles. From May 1889 to May 1890, Van Gogh recorded this view in changing settings: after a storm, with a reaper in the field, with fresh wheat raising in autumn and with flowers in the spring. This is one of Van Gogh's major series from Saint-Rémy, comprising wonderful works such as the ''Wheat Field at Sunrise'' in the Kröller-Müller Museum. Van Gogh included the ''Enclosed Field with Rising Sun'' (F737) made in December 1889 in his Display at Les XX 1890 in Brussels. Van Gogh worked on a group of paintings "The Wheat Field" that he could see from his cell at Saint-Paul Hospital. From the studio room he could see a field of wheat, enclosed by a wall. Beyond that were the mountains from Arles. During his stay at the asylum he made about twelve paintings of the view of the enclosed wheat field and distant mountains. In May Van Gogh wrote to Theo, "Through the iron-barred window I see a square field of wheat in an enclosure, a perspective like Van Goyen, above which I see the morning sun rising in all its glory." The stone wall, like a picture frame, helped to display the changing colors of the wheat field.〔 ==Spring and summer, 1889== Kröller-Müller Museum's ''Enclosed Wheat Field with Rising Sun'' was painted in May 1889. Van Gogh used the rising sun above fields of wheat to represent its life giving energy. ''Green Wheat Field'' was painted in June 1889. Van Gogh had a tender feeling about green wheat, likening it to that of a baby: "Young wheat has something inexpressibly pure and tender about it, which awakens the same emotion as the expression of a sleeping baby." Towards the end of his life he regarded his most delicate works, a young wheat field with the rising sun or a blooming orchard, as his "babies." Van Gogh describes ''Mountainous Landscape Behind Saint-Rémy,'' also made in June, as a view taken in the hills seen from his bedroom window: "In the foreground, a field of wheat ruined and hurled to the ground by a storm. A boundary wall and beyond the grey foliage of a few olive trees, some huts and the hills. Then at the top of the canvas a great white and grey cloud floating in the azure." In late June Van Gogh painted ''Wheat Field with Reaper and Sun'' which he described as "a wheat field, very yellow and very light, perhaps the lightest canvas I have done." In July he painted Kröller-Müller Museum's ''Landscape with Wheat Sheaves and Rising Moon'' which he describes as "a moonrise over the same field as the sketch in Gauguin's letter, but in it some stacks take the place of the wheat. It is dull yellow-ochre and violet." ''Enclosed Field with Ploughman'' was made in August 1889, which is held in a private collection (F625). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Wheat Field」の詳細全文を読む スポンサード リンク
|